SoundCloud for Vic Sadot

Showing posts with label justice. Show all posts
Showing posts with label justice. Show all posts

Monday, April 16, 2018

Salute to Spring 2018 Oakland Anti-War Rally Participants


Vic uses a mix of photos and video clips and the “Truth Troubadour” CD licensed recording of “Masters of War” at CD Baby. "Salute to Spring 2018 Oakland Anti-War Rally Participants”: SF Bay Area Anti-War Demo Report on April 15 Tax Day Peace March from the Lake Merritt Amphitheater to downtown Oakland by Vic Sadot.

Truth Troubadour (2017) – 18 songs sung by Vic Sadot. Featuring Eric Golub and Rob Sadot.

OfficialSite for Vic Sadot Music @
 VicSadot dot com

UPDATE NOTICE: The final cut with some typo and timing edits was published to Vimeo and set as Free Creative Commons Copyright downloads for non profit use with credits. At Vimeo the final edits are offered in 1920 x 1280 resolution and at 1280 x 720 resolution.

Salute to Spring 2018 Oakland Anti-War Rally Participants” (3 min/ 9 seconds) SF Bay Anti-War Report on April 15 Tax Day Peace March from the Lake Merritt Amphitheater to downtown Oakland by Vic Sadot at Vimeo. (1920 x 1280)
Final Cut / Free download for non-profit use!

Vic uses a mix of photos and video clips and the “Truth Troubadour” CD licensed recording of “Masters of War” at CD Baby. Click on any screenshot photo below to go to the Vimeo video!

Video screenshot: Child Drone Victim of the "War on Terror"
Video Screenshot: 2001 Anthrax Deception by Professor Graeme MacQueen
Video Screenshot: Militarism, Media Consolidation, and Weapons of Mass Destruction in the control of the wrong people playing nuclear brinksmanship must be addressed by "We The People". 
I pledge with my heart! And I pledge with my mind!
To help make the history that leaves you behind!  

Description Box Post: This is a collection of video clips and photos from the April 15, 2018 "End the Wars at Home & Abroad Spring 2018 Action" in Oakland, CA. A crowd gathered at 11 am at the Lake Merritt Amphitheater in Oakland and marched to Oscar Grant Plaza for a second rally in center city Oakland. (Also known as Frank Ogawa Plaza). Cover photo and intro video clip by Gypsy Taub. Thanks! All other demonstration photos and video clips are by Vic Sadot. The photos and video clips are arranged into a short video presentation of the event with segments from the recording of Masters of War released on the "Truth Troubadour" CD, which is available at CD Baby. Vic Sadot on vocals and acoustic guitar. Eric Golub on violin.

Tuesday, February 21, 2017

Alison Weir 2017 “100 Years of Pro-Israel Activism” HD





Alison Weir 2017 “100 Years of Pro-Israel Activism” HD (58:00)  911TVorg YouTube Channel. The Story of How a Special Interest Lobby Enabled the Colonization of Palestine and Still

Influences Policies Today. Music intro & outro by Francis Collins.

This is the 58 minute Public Access TV free download version made available for non-profit educational use with full credits/no edits from 911TVorg YouTube Channel. This lecture by Alison Weir in Berkeley, CA happened on February 16, 2017 in Historic Fellowship Hall in Berkeley,

CA: “100 Years of Pro-Israel Activism & Trump's ‘Muslim Ban’: How a Special Interest Lobby Enabled the Colonization of Palestine and Influences Policies Today”. Lecture by Alison Weir, Executive Director of IfAmericansKnew.org.  Alison Weir is also the President of the Council for the National Interest, and author of “Against Our Better Judgment: The Hidden History of How the U.S. Was Used to Create Israel”. The event was sponsored by the Social Justice Committee of the Berkeley Fellowship of Unitarian Universalists at Cedar & Bonita in Berkeley.  
Alison Weir gets a standing ovation in Berkeley, CA


Henry Knorr takes a turn at the open mic during the Question & Answer Session


Henry Knorr Defends Alison Weir from JVP Attacks on "Voices in the Middle East" Radio Show on KPFA Pacifica Radio SoundCloud Move the bar forward to the 38:00 minute mark to hear Henry Knorr, who is an American Jewish Bay Area activist against the 6 decade Apartheid Occupation of Palestine. He is also a member of JVP.  He calls it a “demonization campaign” against Alison Weir and IfAmericanKnew dot org. He also admires Alison for “not just talking to the choir”. He is disgusted with the secret dossier compiled on her, and how an umbrella group named The US Campaign to End the Israeli Occupation of Palestine was led to expel her due to the slander campaign. The real problem is that she stands against Zionism as a supremacist political ideology. He talks about her book Against Our Better Judgment about the Israel Lobby and how it is based to a large degree on academic histories by Jewish historians, thoroughly documented, "not kooky stuff", maintains Henry Knorr. 


Long-time Justice for Palestine singer-songwriter activist
Francis Collins set the tone for the evening with his
"Free Palestine" version of "Will The Circle Be Unbroken", 
which is used as the intro and outro for this hummux made video. 
Board sound by Sound Engineer David Yandle. Sponsored by the 
Social Justice Committee of Berkeley Fellowship of Unitarian Universalists. 
Event coordinator for the SJC was Vic Sadot. The longer full version 
is available at No Lies Radio. It begins with current SJC Chair Gene Herman 
doing the welcoming and one of his poems followed by some introductory 
commentary and standard disclaimer by Cynthia Jean Johnson and Vic Sadot.
 Against Out Better Judgment


Alison Weir Feb. 16, 2017 Full Length Berkeley Lecture & Q&A! “100 Years of Pro-IsraelActivism & Trump's ‘Muslim Ban’: How a Special Interest Lobby Enabled theColonization of Palestine and Influences Policies Today” (1:55:57) at No Lies Radio YouTube Channel.
Lecture by Alison Weir, Executive Director of IfAmericansKnew.org.  Alison Weir is also the President of the Council for the National Interest, and author of a new book, “Against Our Better Judgment: The Hidden History of How the U.S. Was Used to Create Israel”. The lecture is about 60 minutes long, and the rest is the Q&A session.   





Friday, September 16, 2011

“9/11 Truth & Justice Songs” CD Released by Vic Sadot on 10th Anniversary of 9/11

Press Release Sept 16, 20
9/11 Truth & Justice Songs” CD Released by Vic Sadot on 10th Anniversary of 9/11
11
The official release date for Vic Sadot's “9/11 Truth & Justice Songs” CD was 9/11/11. Vic sang some of the songs in the street at the “Take Back Gandhi's 9/11” march. The march was part of the Northern California 9/11 Truth Alliance's 10th Anniversary observations of the terror attacks in the United States that remain in need of a genuine forensic criminal investigation. There was an annual film festival that began in Oakland at the Grand Lake Theater on Sept 8 and in San Francisco on Sept 11. The rally on September 11 began at the Mahatma Gandhi Statue in San Francisco up Market Street to the Civic Center and the historic Herbst Theater.
9/11/11 was also the date that Vic launched a new web site featuring the new CD, links to past releases, and links to blogs and video sites.
9/11 Truth & Justice Songs” CD has 16 songs that relate to the many remaining questions about those horrific events of “shock and awe” and the offical conspiracy story that was told about 19 Muslims with box cutters led by a man on a dialysis machine somehow coordinating the massive attacks from a cave. Some of Sadot's songs correlate to certain books that inspired them. “Cheney's in the Bunker” came from reading David Ray Griffin's monumental “The 9/11 Commission: Omissions & Distortions” in which he reported the omitted testimony of Secretary of Transportation Norman Mineta on his recollections from being in the White House bunker with Dick Cheney. “Blowback or Bloody Treason” was written after reading Michael Ruppert's “Crossing the Rubicon”. Ruppert was a former Los Angeles detective, and he believed that 9/11 should be subjected to standard criminal investigation procedures with a view to who had the means, motive, opportunity, and stood to benefit from the crimes. “Trouble in the Rubble” came from reading an Associated Press article on the 9/11 rescue dogs by Amy Westfeldt. It was run in the Washington Post on Oct 20, 2006. It states that many of the rescue dogs who worked at the WTC after 9/11 had their feet burned by “white-hot debris”. The reporter did not question or explain how this came to be. While it is consistent with other reports of pools of molten steel still being “white-hot” many weeks after the disintegration of 3 of the World Trade Center towers, it is not consistent with the official story that the towers fell into rubble as a result of jet fuel fires.
The 10th Anniversary Edition of Vic Sadot's “9/11 Truth & Justice Songs” is posted to Last FM with a number of free mp3 downloads! It will soon be posted at CD Baby and affiliated sites such as iTunes, Rhapsody, and many more. A brief description blurb on each song follows below the Last FM Link to the CD.
9/11 Truth & Justice Songs - 10th Anniversary Edition by Vic Sadot
1 Ballad of William Rodriguez (5:18) - Based on a 2005 interview Vic did with WTC janitor Willie Rodriguez about his experience on the day of 9/11/01, for which he became a natianally acclaimed rescue hero. His testimoney to the 9/11 Commission that he heard explosions below sub level one before the towers were hit by a jet above was excluded.
2 Cheney's in the Bunker (4:49) – A song inspired by Secretary of Transportation, Norman Mineta's testimony, which was
omitted from the final 9/11 Commission report. A young man was repeatedly asking Vice President Cheney, "Do the orders still stand?" Mineta said that he arrived in the Presidential Bunker at 9:20 am where he found Cheney in charge and had already issued some orders. The 9/11 Commission report claims that Cheney did not arrive until 9:58 am.
3 Blowback or Bloody Treason (6:19) – Inspired by former LA detective Michael Ruppert's 2004 book, “Crossing the Rubicon", which asked the standard crime scene questions: Who had the means, motive, and opportunity? And who stood to benefit from the crime? “Blowback” is a term used to describe retaliation for US policies.
4 Trouble in the Rubble (5:30) – Written after reading an Associated Press article by Amy Westfeldt in the Oct 20, 2006 Washington Post about a “scientific study” claiming that 9/11 rescue dogs were not suffering as badly as the human first- responders were in the aftermath of their work in the toxic air and rubble of the World Trade Center. The reporter states that some dogs had their feet burned by a “white hot debris”, but she fails to question what the molten debris actaully was.
5 Ballad of Mohammed Atta (6:01) This song came from reading the interviews from Oct 15 & 21, 2001 by Liz Jackson with Ralph Bodenstein and Volker Hauth, two German university friends of Atta who did a study project with him in Cairo, Egypt. The interviews were on the Australian Broadcasting Corporation and were posted on the internet. They contrasted sharply with the reports of Daniel Hopsicker in “Welcome To Terrorland”, meaning Florida, where someone named Mohammed Atta partied openly prior to 9/11, and received training at Pensacola US Naval Station and Huffman Aviation.
6 Mad Cowboy Disease (4:27) - A humorous take on the wars, irrationality, brutality, and hubris resulting from the exploitation of 9/11 and other lies. At the inaugeration ball, “There must have been some mad cow on the menu after all!”
7 Ballad of Pat Tillman (5:16) - Shortly after 9/11 the famous Arizona football hero from San Jose, California, enlisted with his brother Kevin in the US Army Rangers. He served in Iraq & Afghanistan before being killed. The Pentagon made up a phony story about Tillman's death to continue to use him as recruitment poster boy. The circumstances of his death became extremely controversial as the Tillman family pressed on for the truth. The story changed from a combat "glory story" to a death by "friendly fire" story. Even later, the Army coroner's report was released to the Associated Press. That report said that Pat Tillman died by "3 bullets to the forehead at 10 yards range". The last story was either greeted with ridicule or completely ignored by the corporate press.
8 Tell John Yoo That Torture Is A Crime! (5:03) - A "folk process" update of the old Civil Rights song, "We Shall Not Be Moved", with Code Pink Golden Gate chorus singing along for torture accountability! Yoo wrote legal briefs to justify torture while on leave from UC Berkeley and in the service of the Bush-Cheney regime's Department of “Justice”.
9 Love Me I'm A Liberal (4:16) – A Vic Sadot update of Phil Ochs' 1966 classic on liberal posturing includes 9/11 themes.
10 Broadside Balladeer (3:55) – A Tribute to the late-great Phl Ochs, who Vic met and interviewed in May of 1973 in Washington, DC after Phil's return from travels in South America where he met Victor Jara. The song was written in 1977, one year after Phil Ochs' death. Ochs had over 70 songs published in Broadside magaaine. Many references to his song titles are weaved into the story. Vic later broke the story of “PHIL OCHS FBI FILE” in Broadside magazine in 1982.
11 Nightmare of New Orleans (3:04) – On August 26, 2005 Hurricane Katrina hit New Orleans. The "Nightmare of New Orleans" was written by Vic Sadot as a Cajun blues song. Sadot says that the song is about the criminally negligent response to Hurricane Katrina before, during, and after that catastrophe. There were grave warnings of possible disaster for New Orleans in the Times Picayune and National Geographic in the year before the tragic and deadly event. For many Americans, the militarization of the rescue mission was one of the most disconcerting aspects of the Bush-Cheney regime's response to the flooding. FEMA even hired mercenaries from Blackwater to "restore order".
12 London Calling 70705 (4:06) – On the London terror events of July 7, 2005 based on films Ludicrous Diversion”, “Mind the Gap”, and “7/07 Ripple Effect”. One of the oddest reported matters came from interviews given by Peter Powers of Visor Consultants, a former British Intelligence officer, in which he claimed to have been conducting “drills” for “corporate sponsors” at the very same four locations where the attacks occurred. What are the mathematical odds of that?
13 Are You A Citizen (5:00) – A strident Cajun waltz style salute to struggle co-written with Cindy Hubschmitt. Vic sings and plays acoutstic guitar and Cajun 10 button accordion on this song. The song sweeps through past historical struggles as precidents that show that popular social justice movements can win significant changes and recognition of rights. Rob Sadot plays a masterful guitar!
14 Oh What A Day (4:26) – Written on the day of the Inaugeration of the first Black President of the United States and to celebrate the departure of the Bush-Cheney regime. We were hoping for a “CHANGE” like the Roosevelt's socialist programs known as the “New Deal”. Instead we are getting the policies of the old war profiteering and torture regime instead and more dismantling of the old "New Deal". We need leaders who serve JUSTICE, not those who serve the money masters, media manipulators, and corporate empire representatives who bomb and plunder in our name.
15 Simple Song of Freedom (5:58) – A Vic Sadot update of Bobby Darin's wonderful 1969 anthem to struggle.
16 Ride the Wind (5:33) – This song was originally released as the title cut on a 1988 Crazy Planet Band LP. It was written about children having nightmares about a nuclear holocaust. Time has made this song seem to be more about the “War on Terror”. Either way, there is nowhere to hide. We shall overcome together or not at all!
Copyright 2011 Victor René Sadot, BMI, Orbian Love Music

Saturday, June 18, 2011

The Ballad of Mohamed Atta - What is Myth? What is True?

The Ballad of Mohamed Atta - What is Myth? What is True?

Original Posting: http://911blogger.com/news/2011-06-07/ballad-mohamed-atta-whats-myth-what-true

The Ballad of Mohamed Atta – Vic Sadot at Last FM on “9/11 Truth & Justice Songs”. Great violin by Vic's buddy Eric Golub. This song was written after reading the Australian Broadcast Corporation interviews by Liz Jackson with Ralph Bodenstein & Volker Hauth who were buddies with Mohamed Atta in their college days. They simply could not imagine him being the person described in the US Press. Research by Daniel Hopsicker of Mad Cow News “Welcome to Terrorland” revealed a Mohamed devoid of religion & addicted to sex & drugs, who had Visas & US military training at Huffman Aviation & Pensacola Naval Base in Florida. What is myth? What is true? http://www.last.fm/music/Vic+Sadot/_/Ballad+of+Mohamed+Atta

Links are provided below the lyrics for two Australian Broadcasting Corporation interviews by Liz Jackson in October 2001, and to Daniel Hopsicker's reseach in Florida right after the 9/11 attacks, "Welcome To Terrorland". The glaring opposite characterizations of Mohamed Atta were the genesis of this reflective song for truth and justice. Was the "suspect" possibly an "asset" or a "patsy"? The chord progression is a simple strum of this chord progression: G Am D G 3 times with the last line being G Am D Em. The song is offered as a free downloadable mp3 at Last FM where Vic writes blogs about topical songwriting and founded the group called "Broadside Balladeers". See link below.

The Ballad of Mohamed Atta

His name was Mohamed El-Amir Atta
Cutest babe in the world to his ma and his pa
They were hard working people… did all that they could…
To teach him right from wrong like any good parent would
He was born in the land of King Tut’s pyramid
Did he grow up to do what they say that he did?
Did he murder 3,000 by flying a plane…
Into the World Trade Center with rage in his brain?

When he was a young boy, he did well in school
He was taught to be kind in a world that was cruel
His father and mother raised him to be good
What it meant to be Muslim was well understood
A generous, peace-loving community
But all that was threatened by the economy
By the great “western system”… the greed and suffering it sows
By the great “New World Order” they seek to impose

He studied Urban Planning in old Germany
He dreamed ancient Egypt could be modern and free
He worked with Ralph Bodenstein and Volker Hauth
It was winter ’94 when they flew east and south
They’d landed a project in “Old Town Cairo”
They were so young and hopeful so long ago
They gathered information on the economy
On the effects of decisions on the people they’d see

On historic preservation, polluting industry
High class corruption and vast poverty
Strawberries for export instead of wheat for the poor
It had to be imported from the great US store
Storm troopers were storming the old neighborhoods
Knockin’ down doors… Killing just cause they could
The Egyptian, Israeli, and US ruling class
Made plans that were clashing with the citizen mass

And up from the masses there rose with a rush
A great wave of resistance they would brutally crush
They rounded up thousands, imprisoned them too
They tortured and murdered like state terrorists do
Mohamed begged his colleagues, “Please do not speak out”
It might get him “criminalized”… No job come about…
Cause he dreamed social planning could be done with a heart
But the wolves of the world would soon tear that apart!

In Florida he was a drunkard, a “covorter” about
Buying sex with the call girls… No longer devout!
In Pensacola US Naval Station…
And Huffman Aviation, what “training” was done?
How’d he get a Visa to get in the USA?
Who enabled this danger, and who paid his way?
And what was his mission? Who was he working for?
Was he really a hijacker? How can we be sure?

Yes, what happened later to the kid who could care?
Was his growing awareness just too much to bare?
Did he “crack up”? … or “link up” with a very bad crowd?
Was he an Al Qaida asset that the CIA endowed?
Yes, what happened later to Mohamed Atta?
Named as “chief suspect” of a terror fatwah
But was it a “fatwah” or a “special ops” design?
For who had the means to pull off such a crime?

His name was “Mohamed El-Amir Atta
Can we tell the truth from the propaganda?
Was he an “attacker” or a “patsy” to blame?
Was somebody else maybe even using his name?
His name was “Mohamed El-Amir Atta
Can you tell the truth from the propaganda?
If you get your “truth” from the war profiteers,
The truth of your prophets may well disappear!

Storm troopers are storming the old neighborhoods
In Bagdad and Basra and Fallujah there’s blood!
Compradors of Iraq and the US ruling class
Made plans to wage war on the great Muslim mass
Do you know what they’re planning to do in your name?
In the name of “Democracy”, it’s a sham and a shame!
‘Cause all of this killing comes out of the claims…
Of the “Official Story” and whoever it blames!

Copyright Nov. 21, 2004 Victor René Sadot / BMI / Orbian Love Music

FREE mp3 download for this song at Last FM on the “9/11 Truth & Justice Songs” CD.
http://www.last.fm/music/Vic+Sadot/_/Ballad+of+Mohamed+Atta

Ralph Bodenstein interview Beirut. Lebanon on Oct. 15, 2001:http://www.abc.net.au/4corners/atta/interviews/bodenstein.htm
Volker Hauth interview in Hamburg, Germany on Oct. 21, 2001: http://www.abc.net.au/4corners/atta/interviews/hauth.htm
The interviews were part of a series called "A Mission To Die For" at http://www.abc.net.au/4corners/atta/interviews/hauth.htm
Daniel Hopsicker “Welcome To Terrorland
http://www.madcowprod.com